Marisa Berenson
Nude

After gracing the covers of prominent magazines, lissome, green-eyed Marisa Berenson, like so many other internationally famous models, decided to immortalize her luscious figure on the celluloid frames of cinematic reels. After her debut in the Italian picture Death in Venice (1971), she landed her big break as the prime foil to Liza Minnelli in Cabaret (1972). Sadly, in a tale of Berlin at its most decadent, Marisa remains fully-clothed. That would change. Marisa’s first skinful turn was in A Way of Being a Woman (1973), but her best skindeavor is Stanley Kubrick‘s period drama Barry Lyndon (1975), in which she soaks her furriness in an old-fashioned tub with very clear water. She’s covered by a frilly, lightweight nightie, but it does little to conceal what’s submerged. Even her titty-bitties peek out! Marisa showed those little lovelies again in The Amorous Mis-Adventures of Casanova (AKA Some Like It Cool) (1977), S.O.B. (1981), Tête dans le sac (Head in the Bag) (1984), and the 1988 miniseries Hemingway, though the scenes are brief. Small exposure of her petite pleasure equals a big-time turn on! She has spent the last few decades clothed in shows like Murder, She Wrote, Venus and Apollo, and Lost Signs and movies like Night of the Cyclone (1990), Color Me Kubrick (2005), and Hitler in Hollywood (2010). However, she recently appeared nude in the documentary Diana Vreeland: The Eye Has to Travel (2011). The nudity comes courtesy of old magazine pictorials, though. What a pleasant surprise for Mr. Skin.